Society of Women Artists : MEMBERS - 165th Annual Open Exhibition

African Painted Dog at Manna Pools 2

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Crawshays Zebra in Luangwa

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Lynx

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Grannies teapot and friends

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Still life with hellebores

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Still life with tulips

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Grannies teapot

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Veiled Face

By miranda fontaine

Cullograph

h: 46 w: 38 d: 1 (cms).

This is a viscosity print sing two collograph plates

£400

£300 (Unframed)

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Veiled Face

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Philippine Eagle, Critically Endangered

By dr. linda smith PPSWA

Egg Tempera and 23.5 ct Gold Leaf on Ampersand Board

h: 26 w: 20 d: 1 (cms).

This species is one of the world's most endangered raptors, with fewer than 400-600 breeding pairs (or 250-750 individuals) estimated to remain in the wild. It is listed as Critically Endangered on the IUCN Red List, a status held since 2000. They are endemic to the Philippines and threatened by habitat loss from deforestation and agricultural expansion, as well as from shooting. The species is considered in danger of extinction due to rapid population declines over the last 50 years.

£850

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Philippine Eagle, Critically Endangered

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Helmeted Hornbill, Critically Endangered

By dr. linda smith PPSWA

Egg Tempera and 23.5 ct Gold Leaf on Ampersand Board

h: 27 w: 20 d: 1 (cms).

This species is listed as Critically Endangered on the IUCN Red List of Threatened Species. The species was up-listed from Near Threatened to Critically Endangered in 2015 owing to severe targeting by hunters, illegal wildlife trade and deforestation/habitat loss. Numbers are expected to decrease further due to the value placed on the solid horn casque. China is the biggest consumer of the casques, which are often carved for decorations. It is estimated that thousands of birds are lost annually. They are native to Brunei, Indonesia, Malaysia, Myanmar, and Thailand. Conservation and research actions have been proposed to prevent illegal hunting and support livelihoods in forest communities, so that the incentive to poach is minimised.

£900

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Helmeted Hornbill, Critically Endangered

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Kakapo, Critically Endangered

By dr. linda smith PPSWA

Egg Tempera and 23.5 ct Gold Leaf on Wood

h: 29 w: 24 d: 1 (cms).

The kakapo is the world's only flightless, nocturnal, and lek-breeding parrot. It is listed as Critically Endangered on the IUCN Red List. Due to intensive conservation, the population has increased from around 50 in the 1990s to approximately 236–252 (as of 2024-2025). All are managed on predator-free islands in New Zealand. Decline is due to introduced predators (cats, stoats, rats), hunting, low genetic diversity, low reproduction rates and disease.

£950

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Kakapo, Critically Endangered

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Harlequin Moon Jar

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Shards Moon Jar

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Forest Pool

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Spring Meadows

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Copper Jug & Fruit

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Sitting Figure

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Dance 2

By rachel ducker

Wire

h: 56 w: 38 d: 15 (cms).

£750

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Dance 2

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Dance 4

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Woodland Walk - Derbyshire Dales

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Reflections - Lumsdale Pond - Derbyshire Dales

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Emerging

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White Lily Kimono on Bamboo table

By patricia clements

Pastel

h: 74 w: 54 d: 1 (cms).

White Lily, and Kimono on a bamboo table a Chinese influenced artwork

£1200.00

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White Lily Kimono on Bamboo table

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Jasper cat among the Tulips

By patricia clements

Pastel

h: 50 w: 70 d: 1 (cms).

Jasper was a neighbours cat but he liked to sit among my still life artwork and was a very good model

£1200.00

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Jasper cat among the Tulips

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Holbein Suite

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Cello Vibes

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Strings

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Three Trombones

By sera knight SWA

Mixed Media with Acrylics and Collage

h: 54 w: 36 d: 1 (cms).

My art work is about creating a pleasant visual experience and reflects my love of classical music.

£950

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Three Trombones

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Fun at the Piano

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Spread the joy 2

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Spread the joy1

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On Reflection

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Reflected beauty

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Harbour Heights

By jean noble RI

Acrylic on paper

h: 27 w: 35 d: 1 (cms).

I love the environs of the Thames and take many of my shapes from this area of London, the boats and moorings can be seen within the abstracts I create from sketches done on site and worked up in the studio

£950

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Harbour Heights

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Heading For Land

By jean noble RI

Acrylic on paper

h: 34 w: 25 d: 1 (cms).

another interpretation of my walks along the Thames, using the shapes that come together whilst sketching along the banks and then interpreting at home in the studio

£950

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Heading For Land

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Close to Shore

By jean noble RI

Acrylic on paper

h: 38 w: 51 d: 1 (cms).

an abstract interpretation of the shapes i see as I walk around the Thames area of London. there is a suggestion of the gangways and the moored boat ready for its voyage up river.

£1480

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Close to Shore

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A Perfect Match

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A Cup of Summer

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Marvellous Margaret- A girl just wants to have fun - Part 1 of Triptych

By Trish Claridge SWA

Egg tempera on Gessoed board

h: 41 w: 31 d: 1 (cms).

A feel good painting, - part 1 of a triptych - of a kind, funny, characterful, mature lady, portraying her great sense of humour, mischief and kindness to all who know her.

£2500

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Marvellous Margaret- A girl just wants to have fun - Part 1 of Triptych

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Marvellous Margaret - A girl just wants to have fun, Part 2 of 3

By Trish Claridge SWA

Egg tempera on gessoed board

h: 41 w: 31 d: 1 (cms).

A feel good painting - part 2 of a triptych, intended to show the sense of fun and humour, quirkiness and character of a kind, mischievous and generous mature lady, who's liked and admired by all who know her.

£2500

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Marvellous Margaret - A girl just wants to have fun, Part 2 of 3

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Marvellous Margaret - A girl just wants to have fun - Part 3 of triptych

By Trish Claridge SWA

Egg tempera on gessoed board

h: 41 w: 31 d: 1 (cms).

A feel good painting intended to portray a quirky, kind, generous, mischievous and industrious, mature lady.

£2500

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Marvellous Margaret - A girl just wants to have fun - Part 3 of triptych

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The Gaze Behind the Flower

By mary lace SWA

Oil on linen

h: 46 w: 31 d: 2 (cms).

My very large book on Vermeer does not sit neatly on my bookshelf. A narrow strip of the cover illustration is always tantalizingly visible. I decided to use the strip as part of the background to a still life group. Over the weeks the strip became wider and the flower became less full as it decayed; consequently, more and more of the girl’s face was revealed. The timeless gaze contrasts with the passing and decay of the natural world but links with the continuity of the new life expressed in the rose hip.

£999

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The Gaze Behind the Flower

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Industry

By gail reid

Oil on canvas

h: 92 w: 122 d: 4 (cms).

Angela and I used to meet every week in Hengrove Leisure centre while our children did after-school sports. We would chat, and work on our respective businesses. The cafe was always full of parents, carers, and children. It overlooks the junior swimming pool. We were always surrounded by other adults snatching a bit of email/phone/marking time while their children were in the pool. It struck me that this is a typical place where industry now happens, especially for those with young families. I livestreamed a lot of the painting process, including an interview with Angela, all available on my YouTube channel. (That recording has a deeply personal value to me now, as my very dear friend Angela died recently). At my invitation, several followers sent me images of their family members to include in the painting.

£7000

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Industry

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And wears man's smudge

By tessa jane SWA PSA

Recycled wood and paper.

h: 15 w: 20 d: 12 (cms).

Capturing Dartmoor walks through all the senses. Recycled wood and textiles with a glass dome.

£425

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And wears man's smudge

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Soundcloth IV

By tessa jane SWA PSA

Recycled wood and textiles

h: 18 w: 12 d: 8 (cms).

Capturing Dartmoor walks through all the senses. Recycled wood, textiles, paint and stitch

£495

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Soundcloth IV

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Soundcloth I

By tessa jane SWA PSA

Textile

h: 150 w: 30 d: 1 (cms).

Capturing Dartmoor walks through all the senses. Recycled wood and textiles

£1600

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Soundcloth I

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Soundcolth II

By tessa jane SWA PSA

textile and wood

h: 10 w: 32 d: 10 (cms).

Capturing Dartmoor walks through all the senses. Recycled wood and textiles

£395

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Soundcolth II

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Soundcloth III

By tessa jane SWA PSA

Recycled wood and paper.

h: 10 w: 33 d: 9 (cms).

Capturing Dartmoor walks through all the senses. Recycled wood and textiles 10

£395

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Soundcloth III

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Snow in the woods

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Chilli mocha

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I'm Here

By suzanne gibbs

Oil on canvas

h: 76 w: 61 d: 4 (cms).

This is my latest and possibly last portrait of my Mum, as she battles with dementia. She remains herself, and I am once again by her side. Her faint smile reflects her humour and resilience, whilst the expression in her eyes conveys the sadness of her gradual decline.

£1280

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I'm Here

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Moving Forward

By suzanne gibbs

Oil on canvas

h: 76 w: 61 d: 4 (cms).

This self-portrait is a response to dealing with past trauma and challenges. From the darkness, the light brings hope of transformation. With healing, a brighter outlook, cautiously, I am ready to embrace the future.

£1280

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Moving Forward

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Make Em Laugh

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Pengan

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Expresso or Cocktail

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Washing Day

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St Paul's in Autumn

By margaret eggleton SWA SGFA

watercolour and gouache

h: 27 w: 27 d: 1 (cms).

i saw this view when returning to St Paul's from the Barbican. i was immediately amazed at the stunning autumn leaves as i approached.

£550

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St Paul's in Autumn

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Long Walk to Where the Road Meets the Sea

By Asya Dudko SWA BA(Hons)

Paperclay

h: 44 w: 30 d: 20 (cms).

The sculpture is made from air drying clay sculpted over a wire armature. On a long journey, I pull my boat on wheels: a vessel built to survive deep waters, shifting sands, and steep hills.

£2200

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Long Walk to Where the Road Meets the Sea

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The Quiet Gravity of Decisions

By Asya Dudko SWA BA(Hons)

Paperclay

h: 50 w: 20 d: 18 (cms).

The sculpture is made from air drying clay sculpted over a wire armature. I am balancing a scale in my hand. On one side rests a House, on the other a Boat. Which path do I follow: the steady ground of home or the open freedom of the unknown?

£2200

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The Quiet Gravity of Decisions

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The One Who Holds the Roof

By Asya Dudko SWA BA(Hons)

Paperclay

h: 39 w: 13 d: 13 (cms).

The sculpture is made from air drying clay. A roof is only safe when someone loves those who live beneath it.

£2200

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The One Who Holds the Roof

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Sisters in Arms

By arabella brooke

Bronze

h: 60 w: 40 d: 18 (cms).

£5800

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Sisters in Arms

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Listening to the Trees

By arabella brooke

Bronze on wood

h: 45 w: 15 d: 12 (cms).

£2200

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Listening to the Trees

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Family Group

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Dancing Women (with a nod to Klimpt)

By liz watts SWA

Porcelain, glazed and un glazed, with gold and mother of pearl lustres

h: 26 w: 26 d: 26 (cms).

£1800

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Dancing Women (with a nod to Klimpt)

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Playing with Lustres Panel Vase

By liz watts SWA

Porcelain with gold, metal and mother of pearl lustres

h: 39 w: 24 d: 21 (cms).

£1400

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Playing with Lustres Panel Vase

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Things Sculptors Find On Their Plinths 1

By liz watts SWA

Porcelain with gold and mother of pearl lustre

h: 33 w: 20 d: 17 (cms).

This piece will drape off the edge of a plinth or shelf without any fixings. I would museum putty it down incase it is knocked against.

£850

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Things Sculptors Find On Their Plinths 1

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Tumbling White Flowers

By liz watts SWA

porcelain with gold lustre

h: 22 w: 21 d: 20 (cms).

£875

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Tumbling White Flowers

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Letting go

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Anosmia, self portrait

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I Dreamed I Was A Cloud

By helen merrigan colfer

Resin clay, concrete, steel, aluminum, silver wire, glass beads, ink pigments

h: 47 w: 31 d: 24 (cms).

Unique sculpture, mounted on steel base, best displayed on a high plinth.

£5100

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I Dreamed I Was A Cloud

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Swn -Y-Mor (2)

By pamela jones

Porcelain,wood

h: 20 w: 15 d: 4 (cms).

Meaning `Sound of the Sea` in Welsh, Swn-Y-Mor is influenced by my upbringing in a seaside town and my love of nature and music.

£550

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Swn -Y-Mor (2)

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Amphitrite with Dead Fish and Friendly Floatees

By pamela jones

Porcelain,resin,wood,gold leaf

h: 34 w: 18 d: 18 (cms).

There are many representations of the classical work of Amphitrite all over the world, most notably at the Louvre of Amphitrite with a dolphin. I revisit this environmental theme, with Amphitrite holding a dead fish skeleton - full of `friendly floatees`. In 1992, a cargo ship was travelling from Hong Kong to Tacoma, WA with thousands of rubber bath toys and due to a severe storm lost its cargo into the Pacific Ocean. This event serves as a reminder that even small, seemingly harmless toys can have a global environmental impact when lost at sea. Marine pollution from lost cargo, plastics, and consumer goods can persist for years, traveling vast distances and causing long-term damage to ocean ecosystems. The toxic effects of these pollutants impact on feeding patterns, growth and reproductive systems of aquatic species. Therefore, humans are exposed to these pollutants through the consumption of seafood, fish and crustaceans.

£7000

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Amphitrite with Dead Fish and Friendly Floatees

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Coastal Path - Trefin to Porthgain

By caroline mackintosh

Acrylic and oil and cold wax

h: 50 w: 81 d: 4 (cms).

I began with an application of cadmium yellow acrylic - this gives future applications of colour a certain glow and allows me to scratch back to reveal elements of yellow as the painting progresses, both unifying the work and giving flashes of brightness and interest. Next I laid down the main lines and shapes of the composition in black acrylic and created areas of pattern and texture, and then added areas of Yellow Ochre acrylic and combed through to create pattern and texture. Over this framework I applied a limited palette of thinly applied oil and cold wax, in masked off bands and geometric shapes, giving the painting structure and a definite form, but endeavouring to retain some of those earlier marks. As I built up the layers I constantly scratched back to reveal earlier layers, also providing textural interest.

£1750

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Coastal Path - Trefin to Porthgain

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Towards The Trees, Holkham III

By caroline mackintosh

Oil sticks and oil and cold wax on canvas

h: 50 w: 81 d: 2 (cms).

I began with an application of bright pink tinted gesso onto canvas. The pink gives future applications of colour a certain glow and allows me to scratch back to reveal elements of pink as the painting progresses, both unifying the work and giving flashes of warmth and interest. Next I laid down the main lines and shapes of the composition in Paynes grey oil and cold wax, working thickly and creating areas of texture - particularly along the treeline and the ridges of the dunes and beach using a variety of tools: brush, palette knife, combs and rollers. Next I built up the vegetation and banks of sand in the foreground with bands of oil and cold wax, constantly scratching back to reveal earlier layers and and picked up the previously laid down texture with a roller to create the effect of the sand. Finally I incorporated different grades of sand into the oil and cold wax mix to give greater texture and interest to the areas of sand in the foreground.

£1750

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Towards The Trees, Holkham III

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River Kishorn, Strathcarron II

By caroline mackintosh

Acrylic, oil sticks and oil and cold wax

h: 70 w: 113 d: 4 (cms).

I began with an application of pink acrylic, giving future applications of colour a certain glow and allowing me to scratch back to reveal elements of pink as the painting progresses, unifying the work and giving flashes of warmth and interest. I then painted the mountain range with Paynes grey and dark purple acrylic, working thinly to draw the eye into the distance and create a contrast with the thicker application of paint in the foreground. Next I laid down the main lines and shapes of the foreground and river with oil and cold wax, working thickly and creating areas of texture. Then worked loosely with oil pigment bars, focussing on free mark-making, in particular for the rocky outcrops. I then applied a limited palette of oil and cold wax, in masked off bands and geometric shapes, giving the painting structure and a definite form, but endeavouring to retain some of those earlier loose marks. I then blocked in the sky and pale blue/grey oil and cold wax.

£2900

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River Kishorn, Strathcarron II

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Moonlit Beach

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Moonlit Fields

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Creation

By christine roychowdhury

Oil on canvas gold leaf

h: 120 w: 75 d: 2 (cms).

I started this piece during the SWA demonstration day. The portrait of Tamsin or VeraVice her alter ego As a hard rock musician music and rock are as integral to her life as her heart beat. The act of creation escape from our world an act of magic and transfiguration. The four elements of earth wind Fire and Water conjured.

£6000

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Creation

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Baroness Masham

By christine roychowdhury

Oil on canvas gold leaf

h: 120 w: 85 d: 2 (cms).

Dame Masham was the longest serving woman member of the House of Lords. When she fell from her horse at the age of 21 her whole life changed and she was confined to her wheelchair. Instead of giving up she dedicated her life to improving life for the disabled working with the Red Cross and founding the society for spinal injuries. She died last year after sitting for this portrait. I admired her resilience in the face of difficulties. She won 10 Olympic medals.

£6000

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Baroness Masham

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Protest

By christine roychowdhury

Oil on canvas

h: 150 w: 200 d: 2 (cms).

This is a diptych. The right to protest is an important right dating back to the Magda Carter and peasants revolt in 1381 and beyond that Peterloo 1819 . Women fought for over a hundred years to get the right to vote forming the women’s Social and Political Union in 1903 and the women’s Liberation Movement in the 1970’s protesting the indignity of not having equal representation and equality of opportunity and equal pay. The rights of individuals within society the right of freedom.The right to protest even if you don’t agree is an inalienable right and a way to bring about change and to challenge the status quo’s stopping and questioning tyranny and holding governments to account.

£12000

£12000 (Unframed)

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Protest

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The Boxes

By rebecca swainston

Oil on Gesso Panel

h: 122 w: 95 d: 3 (cms).

There are ideas of containment and freedom here. The need to run and the need to remain. The support of friendship and also of trusting an inner strength and certainty about what is right.The hutch behind the figures is a memory of one made by the artists father for rabbits. The animal is however, a hare. Hares do not thrive in captivity. They have much ancient symbolism attached to them and represent fertility, luck, quickness, cunning and faithfulness. There is an ecco here of 17th Century still life but this hare appears to be leaping over the girls shoulder or is perhaps part of her.

£4200.00

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The Boxes

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The Smokers

By rebecca swainston

Oil and ink on Canvas

h: 125 w: 95 d: 3 (cms).

This painting looks at ideas around habit and addictive behaviour. What we take into our body and the things we crave, the pleasure and the damage which these things can do to us. It is also about the ritual of these habits . The print brings to mind the head of the opium poppy. We see the lungs of the racing dog, an organ which interacts physically with the air and which brings into the body the oxygen of life as well as particles of smoke and pollen, sent and pollution.

£4200.00

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The Smokers

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The Light of Knowledge

By anastasia shimshilashvili SWA

Oil

h: 150 w: 100 d: 6 (cms).

In the stillness of a darkened room, a single pool of light becomes a world of its own. 'The Light of Knowledge' captures a quiet, intimate moment of discovery. As the shadows recede, the glow from the books illuminates not just the pages, but the face of a young mind lost in thought—a reminder that even in the deepest dark, learning remains our most constant beacon.

£5000

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The Light of Knowledge

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The Weight of Time

By anastasia shimshilashvili SWA

Oil

h: 70 w: 70 d: 2 (cms).

poignant close-up study of resilience and the passage of years. 'The Weight of Time' focuses on the weathered texture of aging hands as they rest upon a wooden cane. Every line and wrinkle serves as a map of a long life lived.

£2000

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The Weight of Time

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I Am Continuity

By roya khalili SWA

Oil on canvas

h: 70 w: 50 d: 2 (cms).

At the centre of the painting stands a contemporary woman, calm and self-possessed. Her vertical hair rises like a cypress or column, evoking growth and quiet authority. Surrounding her are figures drawn from Persian miniature painting, seated in intimate conversation. Once confined to manuscript pages, they now inhabit the same luminous gold space, dissolving boundaries between past and present. Their gathering suggests continuity through dialogue, memory, hope and shared presence. Power here is neither aggressive nor isolated; it is sustained, collective, and enduring. Fish move across the surface, referencing their deep symbolism in Persian culture as signs of fertility, life, blessing, joy, and go, “The central figure does not stand alone; she stands within an uprising.”

£5000

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I Am Continuity

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Time to Reflect

By roya khalili SWA

Oil on canvas

h: 77 w: 52 d: 2 (cms).

History reveals our limitations and capacities, exposing the recurring patterns that shape human behavior. In the rise and fall of civilizations, we see that no culture is absolute or eternal. History is humanity’s collective memory; without it, we lose our grounding. Through it, we understand where we stand and where we may be heading. In Persian tradition, the pomegranate symbolizes the sun and the warmth of life, the triumph of light over darkness. Its countless seeds within a single skin evoke unity and interconnectedness, while its expanding form suggests vitality and renewal. The soldier holding a spear references the “Immortals,” the elite guard of the ancient Persian Empire, symbolizing continuity and permanence, enduring structures that shape civilizations. Within this landscape, “woman” in ancient Persian culture transcends gender. She embodies continuity of life and serves as guardian of cultural memory, resilience, and collective identity.

£7500

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Time to Reflect

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And yet this "Silence" speaks so loudly

By roya khalili SWA

Oil on canvas

h: 60 w: 60 d: 2 (cms).

This painting shows a woman standing calmly inside a confined room, a small barred window beside her. She does not tremble or resist; her folded arms express patience and inner strength. Behind her, a blue angel with closed eyes gently gestures reassurance, symbolizing faith and protection. Blue swallows circle the space, bringing movement and hope. As migratory birds, they represent renewal, loyalty, and the promise of return. Though the room suggests imprisonment, the birds and the light beyond the window speak of freedom to come. The painting is not about fear, but certainty, the quiet belief that the day of light and liberation will arrive.

£4500

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And yet this "Silence" speaks so loudly

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Believe in Extraordinary

By victoria perloff

Acrylic and Oil paint

h: 100 w: 70 d: 3 (cms).

£1100

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Believe in Extraordinary

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Thank you!

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What Remains

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Self portrait in a still life

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Little red apple

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Somewhere inbetween

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Atmospherics

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Fishing in Calm Waters

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Three Angls

By helen sinclair MRSS, PSWA

Bronze

h: 138 w: 45 d: 24 (cms).

£12500

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Three Angls

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The Dusky Path

By helen sinclair MRSS, PSWA

Bronze (on steel plinth)

h: 28 w: 23 d: 13 (cms).

Unique bronze sculpture on custom-made steel plinth (available with plinth as seen/labelled . . . or without plinth at 'unframed' price)

£4250

£3950 (Unframed)

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The Dusky Path

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Together

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Modern Marriage

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The Bench - In Memoriam

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