Society of Women Artists : MEMBERS - 165th Annual Open Exhibition

Lemons in a jar.

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Lemons and Plums

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Two Lemons in a dish

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Three Lemons in a Dish

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Long day long

By svetlana kornilova

oil, linen canvas

h: 130 w: 100 d: 3 (cms).

I am often asked what is this painting about. People watch it, and it strikes a feeling, that there is something more inside it. I think it is because is is a very familiar plot. We all were at this edge, when the childhood is almost over and it takes the breath away what a big world opens ahead. To smile, to play, to grow To cry, watch the river flow To laugh, see the days go by To dream, to believe, to fly

£6000

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Long day long

Public Choice Voting

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Secret Garden

By svetlana kornilova

oil, linen canvas

h: 110 w: 50 d: 2 (cms).

I think in this painting how the children are growing up. How they investigate the world around, How they find tiny doors adults usually do not notice. How they escape from parents’ supervision. Are the roads they find interesting? Are they dangerous? Can we protect them?

£6000

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Secret Garden

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Fragments

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Rising Dawn

By Laura Howarth SWA SWA

oil and cold wax medium on board

h: 51 w: 51 d: 2 (cms).

Sea and sky with glowing evening light

£895.00

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Rising Dawn

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Harbour Lights

By Laura Howarth SWA SWA

oil and cold wax medium on board

h: 30 w: 30 d: 1 (cms).

Patches of brightness against the dark sea and sky

£595

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Harbour Lights

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Waiting

By Laura Howarth SWA SWA

oil and cold wax medium

h: 29 w: 22 d: 2 (cms).

Space, time and glorious change

£495.00

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Waiting

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Poundland

By jane molineaux boon

oil on canvas

h: 60 w: 50 d: 4 (cms).

The juxtaposition of all the objects in the shop with the fractured images of the people on the bench outside opposite was intriguing. It was a complicated image to paint but very enjoyable.

£1850

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Poundland

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69.64N 18.95E

By jane molineaux boon

oil on canvas

h: 76 w: 60 d: 2 (cms).

This is taken from a series of photos taken in a restaurant in Tromso in Norway on a trip to see the Northern Lights. The Northern Lights appear green in a photo but to the eye are much paler, even white. The woman is not real, only a reflection. The Northern Lights aren't as we see them with our eyes. This painting is about unreality and image

£2250

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69.64N 18.95E

Public Choice Voting

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Fragmented Harmony

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Harmonies of a Quiet Ensemble

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Storytime (gold)

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Jumping Hoops

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From 's-Hertogenbosch

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Orizuru Shou

By Rosalind Robinson RWA SWA

mixed media on polymer gravure

h: 45 w: 38 d: 1 (cms).

prints in this edition are hand finished using watercolour, pastel and metallics.

£570

£375 (Unframed)

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Orizuru Shou

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Retreat

Public Choice Voting

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Snip

Public Choice Voting

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Shear

Public Choice Voting

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Eloise

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Lottie

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Trikeri I

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Trikeri III

Public Choice Voting

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Cauli,Kale and Cabbage.

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Winter Light (Edinburgh).

Public Choice Voting

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The Skaters.

Public Choice Voting

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Margaritas

Public Choice Voting

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Travelling Pamukkale

Public Choice Voting

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Canto 1

Public Choice Voting

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Edie it's winter

Public Choice Voting

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Coral Firmament

Public Choice Voting

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Occluded Front

By julie oldfield

Mixed media on burnt & oxidised copper sheet

h: 50 w: 100 d: 2 (cms).

influenced by dramatic sky's in Dorset 2025. I burnt this painting on a bonfire starving it from oxygen by surrounding it in cardboard

£2600

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Occluded Front

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Free Form

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Embankment

By justine lois thorpe

oil paint on wooden paper

h: 52 w: 122 d: 2 (cms).

A Abstract painting of the west country seascape keeping it simple painted with oil paint on wooden plywood panel . Inspired by the energy & interaction of the coastal elements.

£2400

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Embankment

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Submerge

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Bound 3

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Last Leg

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Bound 2

Public Choice Voting

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The Proposal

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Memories of You

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Heroes

By kristine nason SWA SEA

oil & cold wax on board

h: 46 w: 61 d: 1 (cms).

Fast-fashion waste from the Global North washes up on Accra’s beaches every day in a tide of discarded textiles. This painting honours the quiet, steady courage of community initiatives and those who refuse to look away— returning again and again to lift tangled masses of clothing from the sand. Working in teams, they clear waste that should never have reached these shores, evidence of a global system that offloads its excess to places least able to bear it. Their persistence restores a measure of dignity to the beach, even knowing the next tide will bring more pollution. ‘Heroes’ pays tribute to these everyday heroes, recognising them not as victims, but as active agents holding their ground—and invites us to consider who is truly doing the work of care in a damaged world, and why they must do it at all.

£1380

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Heroes

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MANUELA SÁENZ - miniature

By kate milsom

Oil & Mixed Media on Gesso Board

h: 15 w: 15 d: 2 (cms).

Manuela was an Ecuadorian revolutionary heroine of South America who supported the revolutionary cause by gathering information, distributing leaflets and protesting for women's rights. Manuela received the Order of the Sun ("Caballeresa del Sol" or 'Dame of the Sun'), honoring her services in the revolution.

£380

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MANUELA SÁENZ - miniature

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SARAH BIFFIN - miniature

By kate milsom

Oil & Mixed Media on Gesso Board

h: 15 w: 15 d: 2 (cms).

Sarah Biffin (or Biffen), (1784—1850), also known by her married name Mrs. Wright, was an artist working in the first half of the nineteenth century. Biffin was born with the condition “phocomelia”, described on her baptism record as “born without arms and legs”. She went on to train as an artist, using her mouth to draw, sew, write and paint watercolours in miniature.

£380

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SARAH BIFFIN - miniature

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HIJAB IMTIAZ ALI - miniature

By kate milsom

Oil & Mixed Media on Gesso Board

h: 15 w: 15 d: 2 (cms).

Hijab Imtiaz Ali (1908–1999) was a Pakistani writer, editor and diarist. She is a well known name in Urdu literature and a pioneer of romanticism in Urdu. Hijab obtained her pilot's license in 1936. In 1939, The International Women’s News reported that Hijab had become the first Muslim woman in the British Empire to obtain an ‘A’ license as an air pilot.

£380

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HIJAB IMTIAZ ALI - miniature

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Different Ways of Seeing

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Joined by Monday Morning

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Attitude

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Botanical Symphony

By Helen A Taylor MA. SGFA. ASWA

Linocut with watercolour

h: 79 w: 57 d: 1 (cms).

Inspired by the Stables musical Theatre & Gallery building in Milton Keynes, where I had a solo exhibition in 2025. I felt that the foyer building is reminiscent of a botanical glasshouse, I placed the flowers within the architecture and to connect with the musical venue I chose species which have names with musical references, and because they resemble musical instruments - Fiddle head ferns, Trumpet vines, Canterbury bells, Musical note plant, Angels trumpets, Tiarella spring symphony and Philodendron jungle Boogie Woogie.

£375

£300 (Unframed)

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Botanical Symphony

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'At Leisure'

By kate newington

Acrylic and mixed media

h: 31 w: 21 d: 2 (cms).

I have always loved painting sunflowers. This painting used for reference a small sketch I had already made of a sunflower that was on the cusp of ‘turning’ . In the picture I placed it in a favourite blue mug that used to be my mother’s. I set the still life somewhere on an imagined beach in southwest Cornwall (where I regularly spend time). I often include flattened contrasting patterns and textures in paintings in a way that reflects my love of collage and enjoyment in painting and drawing detail.

£500

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'At Leisure'

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'Orla's Pot, Rachel's Mug'

By kate newington

Acrylic on canvas

h: 70 w: 70 d: 2 (cms).

This still life is an integration of images of imagined vessels and a real life pot of my own. The table and background are also partly imagined and partly painted from life. How the foreground and background interlock with each other as some sort of designed space also felt important. The work of many of the mid-century British modernists is often in my mind. The composition evolved via the painting of the two central objects and their contents. As often in my work, I wanted the background to hint at a distant horizon without being too literal. Flying birds are suggested in a morning mist, and I enjoyed making the sky a textured pattern of interlocking shapes.

£1100

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'Orla's Pot, Rachel's Mug'

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'Coffee in St Ives'

By kate newington

Acrylic and mixed media

h: 30 w: 30 d: 2 (cms).

Looking into St Ives harbour from the stone wall, at high tide the sea pulls itself right into the two old stone arches at the inner end of the harbour wall. Taking in the colour and texture of the wave-beaten stone and the activities along Smeaton's Pier, I made drawings and took photos of the harbour at different times of day and this painting grew out of one of those sketches. I wanted to simplify the picture by painting in the bold shapes of the arches, flattening the shape and form of the sea and just suggesting the lines of the buildings that sit around the harbour. It became a series of interlocking shapes inspired by the strong lines and colour contrasts in the scene. The mug had belonged to my mother and I liked the vivid yellow of its stripe. It also provides a foreground focus to the picture. Although the background is mainly painted, the still life element in the foreground is made up of collage and paint.

£500

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'Coffee in St Ives'

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