Society of Women Artists : MEMBERS - 165th Annual Open Exhibition

The Buyers 1

By vikky furse SWA

Paper. Collage

h: 34 w: 24 d: 1 (cms).

I was inspired by 2 lovely buyers who came to my studio and were interested in everything! I used the Financial Times for most of the collage as it seemed perfect in every way.

£375.00

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The Buyers 1

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The Buyers 2

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Godsend - Apple of Discord (Shapes of Temptation Series)

By julie cross RI

Fluid Acrylic with Oil on Panel

h: 30 w: 40 d: 1 (cms).

This series reclaims the age-old image of women and apples, transforming a symbol of temptation and transgression into one of knowledge, choice and defiance. Realism and abstraction interwine to explore myth, agency and transformation. Here, the myth of Eris is reimagined, and the golden apple becomes an abstract catalyst rather than a prize. Rival goddesses are reduced to mere dots and are no longer competing, hence refusing the logic of comparison altogether. In contrast, Eris is fully realised - complex, textured and embodied. Discord is framed not as destruction, but as a necessary disturbance that exposes systems of comparison, beauty, value and legitimacy.

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Godsend - Apple of Discord (Shapes of Temptation Series)

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A Shared Inheritance - Full Circle (Shapes of Temptation Series)

By julie cross RI

Fluid Acrylic with Oil on Wood Panel

h: 50 w: 70 d: 1 (cms).

This series reclaims the image of women and apples, transforming an age-old symbol of temptation and transgression into one of knowledge, choice and defiance. Realism and abstraction intertwine to explore myth, agency and transformation. This work positions the apple as symbolic legacy, suggesting continuity of the cultural narratives of temptation and beauty. This isn't about one Eve - it's about all of us. The circles serve as both warning sign and halo, as the figures occupy the space between icon and individual, reclaiming the apple symbol and holding it without apology.

£900

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A Shared Inheritance - Full Circle (Shapes of Temptation Series)

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The sun’s hum

By sarah muwanga

Oil on canvas

h: 61 w: 51 d: 4 (cms).

The sun’s hum is oil on canvas (2025), painted to hold a soft, warm kind of quiet. The figure is leaning forward with her eyes lowered, and I kept the brushwork open so the surface stays breathable and human. The blue line work in oil pastel carves through the paint, pushing the background towards pattern. The artist was thinking about the feeling of settling into yourself, and the low, constant comfort of sunlight you can almost hear.

£1200

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The sun’s hum

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Grandmas’s hands

By sarah muwanga

Oil on canvas

h: 61 w: 61 d: 4 (cms).

Painted in oil on canvas, the work is built over a pink ground that subtly emerges through the surface. Layers of oil paint were allowed to dry and then scraped back, while other areas were wiped away while still wet. This process creates varied textures and visible layers that evoke a sense of history, memory, and lived experience.

£1200

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Grandmas’s hands

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Opera in Fragments

By huihua bi

Oil on Canvas

h: 60 w: 50 d: 4 (cms).

This painting portrays a traditionally dressed opera performer whose form breaks into intersecting blue and pink fragments. The figure becomes an abstracted presence—less a portrait and more an identity shaped by inherited roles, stylised costume, and cultural expectation. By rendering her as layered visual codes, the work reflects how women in traditional drama were both iconic and constrained, celebrated onstage yet obscured beneath the roles they were scripted to inhabit.

£1350

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Opera in Fragments

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Weigh Of Inheritance

By huihua bi

Oil on Canvas

h: 60 w: 50 d: 4 (cms).

Heavy textures and fractured forms accumulate around the figure’s head, evoking the burden of cultural and historical inheritance. The painting reflects how tradition, memory, and collective identity press upon the individual, transforming heritage into psychological weight.

£1350

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Weigh Of Inheritance

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REGENTS STREET FLORENCE AND GUARDS

By Chloe Harris SWA SWA

Monoprint , 180 msg paper

h: 42 w: 60 d: 1 (cms).

LONDON PRINT SERIES TAXIS TRAFFIC and FLORENCE NIGHTINGALE, first public woman statue in London 1915.

£550

£300 (Unframed)

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REGENTS STREET FLORENCE AND GUARDS

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OXFORD STREET PINBALL

By Chloe Harris SWA SWA

Monoprint 70 msg paper

h: 42 w: 59 d: 1 (cms).

7pm shopping on OXFORD STREET: an evening spent gaming. Thoughts that came to me whilst making the work

£690

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OXFORD STREET PINBALL

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ST PETERS SQUARE MANCHESTER

By Chloe Harris SWA SWA

Monoprint, 180 msg paper

h: 42 w: 60 d: 1 (cms).

Had a tear in my eye when I did this, my dad said "it brought a tear to my eye this" feel it must have come out within my lines, in between the lines. MANCHESTER PRINT SERIES 2022/2023

£1100

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ST PETERS SQUARE MANCHESTER

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OXFORD STREET

By Chloe Harris SWA SWA

1.5 cm Board, Oil Painting

h: 42 w: 60 d: 1 (cms).

A dense cityscape of OXFORD STREET, LONDON

£850

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OXFORD STREET

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New Forest Stream

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Winter Glow

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Sunlight on the Far Meadow

By sarah jennings

Acrylic and Mixed Media on Board

h: 20 w: 25 d: 1 (cms).

Acrylic and Mixed Media on Board

£350

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Sunlight on the Far Meadow

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Two Sheds (Winter Allotment)

By sarah jennings

Acrylic on Board

h: 25 w: 30 d: 1 (cms).

Acrylic on Board

£425

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Two Sheds (Winter Allotment)

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Alfie

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Study in Blue

By sara myers

Fired Stoneware with underglaze and oxide treatment

h: 35 w: 21 d: 25 (cms).

This was a study from the figure but one in where I introduced more abstract clay elements/shapes from the beginning. Everything was just a response to that moment with the model. Both the initial abstract elements and the further figurative modelling reacted and interacted.

£1150

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Study in Blue

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Quick sketch

By sara myers

Ceramic with Wax treatment

h: 19 w: 11 d: 15 (cms).

£380

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Quick sketch

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Becoming

By sara myers

ceramic, acrylic and iron

h: 50 w: 21 d: 11 (cms).

£725

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Becoming

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LILIES IN THE STUDIO

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THE FLOWER SELLER

By sue jelley

PASTEL and ACRYLIC

h: 65 w: 49 d: 1 (cms).

My friend from Montmartre, Paris. This woman, bruised and battered on the streets of Paris found a new life as a Flower Seller. Hers` is one of many stories of abuse against women throughout the world and hopefully we will hear more positive stories in the future as no woman, whatever her background, is exempt from violence.

£1700

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THE FLOWER SELLER

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MORNING GLORY

By sue jelley

ACRYLIC

h: 68 w: 63 d: 1 (cms).

Natures exquisite models - I love the beauty of flowers and how wonderful to be able to record them for posterity. The colours and shapes produced by nature can never be lost and never fail to excite me.

£995

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MORNING GLORY

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Convergence 1

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Convergence 2

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Hot pink Cyclamen

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Hogweed and Apples

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Winter trees, le jardin de Rodin, Paris

By nicola stratton tyler SWA, MA (Hons)

oil on panel

h: 25 w: 20 d: 1 (cms).

painted plein air in Paris this winter. Very cold ! but magical. Finished in the studio.

£495

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Winter trees, le jardin de Rodin, Paris

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Winter sun, le jardin de Rodin, Paris

By nicola stratton tyler SWA, MA (Hons)

oil on panel

h: 25 w: 20 d: 1 (cms).

As with the previous painting, this was painted plein air in Paris between Christmas and New year and then finished in the studio at home. The tree shapes and the shape of the light between them became quite abstracted.

£495

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Winter sun, le jardin de Rodin, Paris

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Primroses in stoneware

By nicola stratton tyler SWA, MA (Hons)

oil on panel

h: 25 w: 20 d: 1 (cms).

painted from life. The first primroses of the year came early in Cornwall. I enjoyed the shadow shapes

£550

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Primroses in stoneware

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Snowdrops and shadows

By nicola stratton tyler SWA, MA (Hons)

oil on panel

h: 25 w: 20 d: 1 (cms).

This was painted from life. Again I was interested in the thrown shadow.

£550

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Snowdrops and shadows

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Bold as Brass

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Aiguille du Midi

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Saturday Night

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Nutella

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Heinz Tomato Ketchup

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Tonal Layers 1

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Tonal layers 2

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Pocket Jungle: Flora & Fauna

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Pocket Jungle: Jackson Gecko

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Pocket Jungle: Sloth

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Pocket Jungle: Green Parrot

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The Rt. Hon. Rachel Reeves, the first female Chancellor of the Exchequer, preparing to deliver her first Budget

By sally ward

Oil on canvas

h: 60 w: 60 d: 2 (cms).

The painting captures Reeves in the moments before delivering her first Budget in 2024. Depicting the United Kingdom’s first female Chancellor after more than 800 years of male predecessors, the painting marks a pivotal moment in British political history, as the Treasury becomes the last of the great Offices of State to be led by a woman. The Chancellor is shown rehearsing with advisers, her speech laid out before her, with the iconic red Budget box behind her and a subtle chequered motif referencing the historic origins of the Exchequer — underscoring the continued progress of women in politics. My work is intended to be a contemporary history painting, capturing a defining moment for women’s equality in British political history. I wanted to create a work which reflected both the weight of historic lineage and captured a significant first for women’s leadership and representation in UK politics. Based on a photo reference image by Simon Dawson.

£99999

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The Rt. Hon. Rachel Reeves, the first female Chancellor of the Exchequer, preparing to deliver her first Budget

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Boy with Guitar

By sally ward

Oil on canvas

h: 40 w: 30 d: 2 (cms).

This is a portrait of my son, capturing a moment while playing his guitar. Music has been transformative for him as he has entered his teenage years. As a mother, I wanted to record the significance of music to him at this moment of rapid change and development.

£6000

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Boy with Guitar

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WINTER

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The Storyteller

By amy heath BA(Hons) MA SWA

oil on linen

h: 100 w: 70 d: 3 (cms).

'The Storyteller' figure holds her story in her body, in a tree, in a toy theatre, in a book. It is of being held captive in a jar and imprisoned for all to witness. Underneath is her inner child. She holds her story, she can finally tell it because there are angels around her holding her in place. I based it around the words by Carl Jung- 'No tree, it is said, can grow to heaven unless its roots reach down to hell.'

£3000

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The Storyteller

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Tinker Tailor

By amy heath BA(Hons) MA SWA

oil on linen

h: 100 w: 70 d: 3 (cms).

'Tinker Tailor'- the title comes from the nursery rhyme; I am very influenced by fairy tales, nursery rhymes, children's stories. I wanted to make the figure a character- a tailor creating her own bespoke gown, like an autobiographical dress. The dress says 'raw like sushi' partly to describe herself to others, but also taken from the title of Neneh Cherry's 1989 album. The tailor is sewing and creating her own version of femininity, of magic and transformation. Her child pokes her head out at the bottom, alongside a sleeping cat.

£3000

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Tinker Tailor

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Little Me Healing Big Me

By amy heath BA(Hons) MA SWA

oil on canvas

h: 61 w: 61 d: 2 (cms).

This painting is of an inner world- a secret garden where a doll has found a broken piece of a woman- her hips and legs- and is trying to unpick her threads, to free her, to heal that part of the woman. The garden is full of colour, bulbous, free- and the girl doll is a tiny healer.

£1800

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Little Me Healing Big Me

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After

By amy heath BA(Hons) MA SWA

oil on linen

h: 40 w: 20 d: 5 (cms).

'After' is a character study of sorts. The figure has been a warrior, has battled through a hellish storm and this is her face, her neck, her demeanour. My intention was to paint what was going on inside of her soul on her face. She is a spiritual being having a human experience.

£800

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After

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Midnight Owls

By elizabeth makinbradshaw

Acrylic

h: 39 w: 30 d: 1 (cms).

Night Landscape of 2 Barn Owls painted on board

£660.00

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Midnight Owls

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I see you

By elizabeth makinbradshaw

Acrylic

h: 39 w: 30 d: 1 (cms).

Local chickens at mill farm painting on board

£660.00

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I see you

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Every Woman

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The Artists Studio

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Slab Pot

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3 sided art work

By jane gibson

Clay

h: 43 w: 11 d: 11 (cms).

Three sided slab work, pit fired.

£210

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3 sided art work

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She could not rest

By olivia dunn

Soft pastel and pastel pencil

h: 31 w: 28 d: 1 (cms).

£1695.00

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She could not rest

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In Shadow and Grace

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Allegory of Belonging i

By anne blankson-hemans VP SWA

Oil

h: 80 w: 100 d: 1 (cms).

Part of an ongoing series examining belonging through familiar social encounters. The painting reflects on belonging through everyday social interaction and shared space.

£2500

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Allegory of Belonging i

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Allegory of Belonging ii

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Elliot and Santi

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Am I Funny?

By caroline de peyrecave SWA

Oil

h: 145 w: 105 d: 5 (cms).

Sally Phillips is a comedian, actor and writer whose career spans television, film and theatre, with major roles across British comedy and internationally recognised film franchises. Alongside her creative work, she is a prominent advocate for disability rights and inclusion, informed by her personal experience of motherhood.

£20000000000000

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Am I Funny?

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Held in Plain Sight

By caroline de peyrecave SWA

Oil

h: 110 w: 90 d: 5 (cms).

Nazanin Zaghari-Ratcliffe is a British-Iranian campaigner whose detention in Iran between 2016 and 2022 became one of the most high-profile cases of arbitrary imprisonment involving a UK citizen. Since her return to Britain, she has played an important public role in advancing understanding of diplomatic accountability, human rights and the long-term impact of wrongful detention on families.

£200000000000000000

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Held in Plain Sight

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I wasn't supposed to stop here

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Pancake Tuesday

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Popcorn Magic

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Song of the Morning

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EQUINE CONNECTION

By annabeli thornton BA, SWA, ASEA

Acrylic/oil

h: 40 w: 40 d: 2 (cms).

£500

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EQUINE CONNECTION

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The sink with daffodils

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The laundry

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The writing desk

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Two Poplars

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Pink Flowers in a Blue Vase

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Steert Marshes, time to go home

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Seated Figure with Flowers

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Soho Home Edit 19

By rachel arif PS

Oil on Paper

h: 29 w: 25 d: 1 (cms).

This painting is of a French editorial in an interior magazine, the composition is very similar, the palette changed to reflect a cosy, inviting Boutique style interior.

£595

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Soho Home Edit 19

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View from Boulevard Haussmann

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Rural Moorland, Farmhouses, Lancashire

By rachel arif PS

Oil on Paper

h: 40 w: 30 d: 1 (cms).

Painting of where I grew up, just outside Rochdale, semi rural, an old Village called Red Lumb, where it seems time has stood still. Old rackety farmhouses and derelict cottages.

£625

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Rural Moorland, Farmhouses, Lancashire

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Pentle Bay Tresco Isles of Scilly

By tessa spanton SWA

Acrylic on canvas

h: 50 w: 50 d: 4 (cms).

I have done many plein air sketches and paintings on Scilly. On a sunny day I find the the blues and greens of the water are stunning against the white sand.

£695

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Pentle Bay Tresco Isles of Scilly

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A Bag of Hot Air

By jane morgan

Bronze, painted in oils, lacquered.

h: 23 w: 18 d: 15 (cms).

This works is a facsimile representation of a brown paper bag tied at the top with string containing nothing but air. This statement piece considers the age old adage: 'A Bag of Hot Air', in a society where, truth and accuracy are increasingly blurred. Evidentially, we are no longer able to rely upon visual presentation as factual representation.

£12990

£12990 (Unframed)

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A Bag of Hot Air

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McSorley's Ale House

By jane morgan

Poultry, & game bone, ash, glazed.

h: 27 w: 27 d: 5 (cms).

This work memorialises a group of soldiers who feasted on poultry before leaving for the trenches of The Great War and the Somme. Each wished that his life would be spared. Not all those brave men's wishes came true. This work is a testament to the 64 men from that company whose young lives were lost. This is an interactive work, created by the artist. By making slow rotations of the frame, the entangled wishbones come to rest in a unique form. Thereby creating a new and evolving work of symbolism.

£2900

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McSorley's Ale House

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Sunlit Blossoms

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Under the Canopy

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Blue Rocks, High Peak

By luisa holden SWA

Mixed Media

h: 60 w: 60 d: 1 (cms).

Acrylic, Oil Pastel, Water Soluble Pastels and Collage were used for this piece on panel. Collaged strips of paint on newsprint were employed to help form the rocky structures. The piece was inspired by the High Peak area of the Peak District; an area not too far from where I live. I wanted to to capture the moodiness and drama of the area so the work was executed very spontaneously using large palette knives and brushes.

£650

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Blue Rocks, High Peak

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Black Jug

By luisa holden SWA

Acrylic on card

h: 31 w: 31 d: 1 (cms).

An abstracted, textural impression of a black jug of pink and red poppies and red apples. I worked wet in wet through much of the painting, mixing paint on the surface of the painting itself to create rich and interesting passages of colour.

£520

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Black Jug

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Silk with Red Peppers

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Silk with Oranges

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Growth

By ali mulroy

Oil on canvas

h: 103 w: 78 d: 4 (cms).

£3800

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Growth

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New Heights

By ali mulroy

Oil on board

h: 60 w: 42 d: 1 (cms).

£3500

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New Heights

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Mist descends; November 11:53

By janette summerfield RBSA SWA

Soft Pastel

h: 28 w: 28 d: 1 (cms).

This painting depicts part of the deer park in the grounds of Raby Castle, Staindrop, Darlington, on a cold and misty morning in November. It is drawn using Unison soft pastels onto a light coloured Pastelmat. I wanted to capture the rich colours of the trees standing out from the mist that was fast descending onto the park. Pastel is a very versatile medium; it allows for experimenting with different mark making, exploring ways to depict the structural and tactile qualities of grass and foliage, creating and building up textures. Blocks of colour were randomly applied, using the pastel on its side. Layers are built up by either using the same colour, or a range of colours. Sometimes I like to create a crisp, clear line by using masking tape and applying and blending pastel up to the edge of that tape. Carefully removing the tape reveals a beautifully crisp line. I applied this technique to several areas of the painting.

£625

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Mist descends; November 11:53

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Before the weather changed; September 16:20

By janette summerfield RBSA SWA

Soft Pastel

h: 28 w: 28 d: 1 (cms).

This painting depicts a part of a scene on private land in Fir Tree, a village in County Durham. It is drawn using Unison soft pastels onto coloured Pastelmat. I’m drawn to scenes that have colour, texture and pattern in them, I like to explore ways to depict these qualities in my work and this landscape gave me the opportunity to do just that. I was struck by the strong horizontal lines created by the trees, and the undulation of the fields, both contrasting dramatically with the change of colour in the sky, which I exaggerated by heightening the colours used, especially the trees. My preferred medium of pastel allowed me to experiment with different mark making, allowing me to build up and create textures. I applied horizontal sweeps of colour to the foreground, achieved by using the pastel on its side, to create a sense of movement. Using the same technique I then layered another colour on top to add more depth. I used masking tape to create some sharp lines.

£625

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Before the weather changed; September 16:20

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Cherries with Copper Tumbler and Brass Pot

By janette summerfield RBSA SWA

Oil

h: 20 w: 20 d: 1 (cms).

This still life explores the dynamic interplay of reflection, distortion, and texture. The copper tumbler and brass pot, with their highly polished surfaces, capture and transform the colors around them, subtly bending the shapes of the cherries and their surroundings. The five cherries, rich in hue and ripeness, offer a contrast to the metallic sheen, their deep bloom standing out against the cooler tones of the table and the dark background. The composition guides the eye naturally, with the cherry and its curved stalk at the bottom right acting as a visual entry point. Light plays a central role, emphasising the reflective nature of the objects and the way they echo and reshape the forms within the scene.

£460

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Cherries with Copper Tumbler and Brass Pot

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AN …ARD DAY AT THE R.A.

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RETURNING HOME

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SIBLINGS IN BLACK HATS

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Dancing Still - OBERO

By kathy prest Prest

hand painted Bronze Resin

h: 52 w: 23 d: 15 (cms).

This vibrant sculpture captures a male contemporary dancer suspended in a m moment of fluid strength and finding the balance b between discipline and expressive freedom

£3600

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Dancing Still - OBERO

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Dancing Still - ZARIA

By kathy prest Prest

Hand painted Bronze Resin

h: 52 w: 24 d: 16 (cms).

This vibrant sculpture captures a female dancer delicately en pointe exploring the themes of balance, grace and the courage found in stillness

£3600

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Dancing Still - ZARIA

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St Peter's Square at Night

By cathy read SWA

Watercolour and Acrylic Ink

h: 76 w: 56 d: 1 (cms).

A bright yellow Manchester tram The yellow paintwork is a distinctive feature of the Manchester tram, making them easy to spot as they approach. This one dominates the bottom of the image, declaring Piccadilly as its destination. It reminds me of a previous painting Piccadilly Bound, I wonder if it’s the same one? Mosley Street is an impressive part of Manchester, with the Art Gallery one of my favourite buildings. It was the first gallery I ever went to and my first experience of art close to. You know when you sit behind a tall person in a theatre? You have to strain to see, or move from side to side. The street sign in the middle is like that person. You want to ask it to move or look to the side to see the view. You can’t do that, of course. Why do so many artists edit views by removing what they consider ugly or modern? I honestly don’t know. To me, they are as much part of the scene as the architecture. Everyday life depends on them, they guide us on our way.

£1350

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St Peter's Square at Night

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St Georges Wharf - Riverside Walk

By cathy read SWA

Watercolour and Acrylic Ink

h: 76 w: 56 d: 1 (cms).

Something about this building reminds me of owls, the sloping and curved roof. The beak like outlined shape of the lower two sections. St George Wharf, Riverside Walk is on the south bank of the Thames, near Vauxhall wharf. The image used was taken from the Thames clipper on which I was cruising towards Canary Wharf. A veritable sea of green. It gives off ocean vibes, at least a marine blue palette. There’s so much to see, with curving glass walls of windows, terraces and turrets, with what must be fabulous river views. The Bridge on the left disappears off to the wharf, pristine white. It’s a familiar shape seen in bridges across the UK. Nothing special in itself, and yet something very special in its design. Simple, elegant and functional, easy to overlook, whilst simultaneously being something striking. The scale of the owl tower isn’t immediately obvious until you see the figures on the walkway. Heads just below the canopy of a cafe umbrella, those white triangles.

£1350

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St Georges Wharf - Riverside Walk

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Canary Wharf Station

By cathy read SWA

Watercolour and Acrylic Ink

h: 50 w: 40 d: 1 (cms).

A rare quiet moment at a London Railway Station. A quiet station on a Friday afternoon, you can just make out two figures. The Lady in black wears a mask and carries her phone. You’ll have to take my word for that. There is another figure on the bench to the left of the escalator. Trains wait on both platforms. Everything else is quiet. Above us looms an arching glazed roof. Its metal arch is picked out in red, criss crossed with more intersections, and curved support in a confused yet, ultimately coordinated, mass of struts and joints. More glass panels fill up the end of the great arch below a series of three smaller arches define the platform areas beyond. The roof fills half of the painting, giving a sense of expansive, light space, which contrasts to the busy dark structures below and leads to the darkest spot as you head underground. All that’s visible below are the edges of steps going up on the other side. A contemporary station. Canary Wharf station holds its own.

£740

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Canary Wharf Station

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Spirit of Mabula

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