Society of Women Artists : MEMBERS - 165th Annual Open Exhibition

Eloise

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Lottie

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The Light of Knowledge

By anastasia shimshilashvili SWA

Oil

h: 150 w: 100 d: 6 (cms).

In the stillness of a darkened room, a single pool of light becomes a world of its own. 'The Light of Knowledge' captures a quiet, intimate moment of discovery. As the shadows recede, the glow from the books illuminates not just the pages, but the face of a young mind lost in thought—a reminder that even in the deepest dark, learning remains our most constant beacon.

£5000

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The Light of Knowledge

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The Weight of Time

By anastasia shimshilashvili SWA

Oil

h: 70 w: 70 d: 2 (cms).

poignant close-up study of resilience and the passage of years. 'The Weight of Time' focuses on the weathered texture of aging hands as they rest upon a wooden cane. Every line and wrinkle serves as a map of a long life lived.

£2000

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The Weight of Time

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WINTER

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Grannies teapot

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Free Form

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Embankment

By justine lois thorpe

oil paint on wooden paper

h: 52 w: 122 d: 2 (cms).

A Abstract painting of the west country seascape keeping it simple painted with oil paint on wooden plywood panel . Inspired by the energy & interaction of the coastal elements.

£2400

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Embankment

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Grannies teapot and friends

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Still life with hellebores

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Spread the joy1

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Still life with tulips

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Spread the joy 2

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St Georges Wharf - Riverside Walk

By cathy read SWA

Watercolour and Acrylic Ink

h: 76 w: 56 d: 1 (cms).

Something about this building reminds me of owls, the sloping and curved roof. The beak like outlined shape of the lower two sections. St George Wharf, Riverside Walk is on the south bank of the Thames, near Vauxhall wharf. The image used was taken from the Thames clipper on which I was cruising towards Canary Wharf. A veritable sea of green. It gives off ocean vibes, at least a marine blue palette. There’s so much to see, with curving glass walls of windows, terraces and turrets, with what must be fabulous river views. The Bridge on the left disappears off to the wharf, pristine white. It’s a familiar shape seen in bridges across the UK. Nothing special in itself, and yet something very special in its design. Simple, elegant and functional, easy to overlook, whilst simultaneously being something striking. The scale of the owl tower isn’t immediately obvious until you see the figures on the walkway. Heads just below the canopy of a cafe umbrella, those white triangles.

£1350

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St Georges Wharf - Riverside Walk

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Canary Wharf Station

By cathy read SWA

Watercolour and Acrylic Ink

h: 50 w: 40 d: 1 (cms).

A rare quiet moment at a London Railway Station. A quiet station on a Friday afternoon, you can just make out two figures. The Lady in black wears a mask and carries her phone. You’ll have to take my word for that. There is another figure on the bench to the left of the escalator. Trains wait on both platforms. Everything else is quiet. Above us looms an arching glazed roof. Its metal arch is picked out in red, criss crossed with more intersections, and curved support in a confused yet, ultimately coordinated, mass of struts and joints. More glass panels fill up the end of the great arch below a series of three smaller arches define the platform areas beyond. The roof fills half of the painting, giving a sense of expansive, light space, which contrasts to the busy dark structures below and leads to the darkest spot as you head underground. All that’s visible below are the edges of steps going up on the other side. A contemporary station. Canary Wharf station holds its own.

£740

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Canary Wharf Station

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Self portrait in a still life

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Little red apple

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St Peter's Square at Night

By cathy read SWA

Watercolour and Acrylic Ink

h: 76 w: 56 d: 1 (cms).

A bright yellow Manchester tram The yellow paintwork is a distinctive feature of the Manchester tram, making them easy to spot as they approach. This one dominates the bottom of the image, declaring Piccadilly as its destination. It reminds me of a previous painting Piccadilly Bound, I wonder if it’s the same one? Mosley Street is an impressive part of Manchester, with the Art Gallery one of my favourite buildings. It was the first gallery I ever went to and my first experience of art close to. You know when you sit behind a tall person in a theatre? You have to strain to see, or move from side to side. The street sign in the middle is like that person. You want to ask it to move or look to the side to see the view. You can’t do that, of course. Why do so many artists edit views by removing what they consider ugly or modern? I honestly don’t know. To me, they are as much part of the scene as the architecture. Everyday life depends on them, they guide us on our way.

£1350

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St Peter's Square at Night

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Am I Funny?

By caroline de peyrecave SWA

Oil

h: 145 w: 105 d: 5 (cms).

Sally Phillips is a comedian, actor and writer whose career spans television, film and theatre, with major roles across British comedy and internationally recognised film franchises. Alongside her creative work, she is a prominent advocate for disability rights and inclusion, informed by her personal experience of motherhood.

£20000000000000

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Am I Funny?

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Held in Plain Sight

By caroline de peyrecave SWA

Oil

h: 110 w: 90 d: 5 (cms).

Nazanin Zaghari-Ratcliffe is a British-Iranian campaigner whose detention in Iran between 2016 and 2022 became one of the most high-profile cases of arbitrary imprisonment involving a UK citizen. Since her return to Britain, she has played an important public role in advancing understanding of diplomatic accountability, human rights and the long-term impact of wrongful detention on families.

£200000000000000000

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Held in Plain Sight

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Occluded Front

By julie oldfield

Mixed media on burnt & oxidised copper sheet

h: 50 w: 100 d: 2 (cms).

influenced by dramatic sky's in Dorset 2025. I burnt this painting on a bonfire starving it from oxygen by surrounding it in cardboard

£2600

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Occluded Front

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I Dreamed I Was A Cloud

By helen merrigan colfer

Resin clay, concrete, steel, aluminum, silver wire, glass beads, ink pigments

h: 47 w: 31 d: 24 (cms).

Unique sculpture, mounted on steel base, best displayed on a high plinth.

£5100

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I Dreamed I Was A Cloud

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Coral Firmament

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I wasn't supposed to stop here

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Pancake Tuesday

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Popcorn Magic

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Song of the Morning

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SARAH BIFFIN - miniature

By kate milsom

Oil & Mixed Media on Gesso Board

h: 15 w: 15 d: 2 (cms).

Sarah Biffin (or Biffen), (1784—1850), also known by her married name Mrs. Wright, was an artist working in the first half of the nineteenth century. Biffin was born with the condition “phocomelia”, described on her baptism record as “born without arms and legs”. She went on to train as an artist, using her mouth to draw, sew, write and paint watercolours in miniature.

£380

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SARAH BIFFIN - miniature

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Convergence 1

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Blue Rocks, High Peak

By luisa holden SWA

Mixed Media

h: 60 w: 60 d: 1 (cms).

Acrylic, Oil Pastel, Water Soluble Pastels and Collage were used for this piece on panel. Collaged strips of paint on newsprint were employed to help form the rocky structures. The piece was inspired by the High Peak area of the Peak District; an area not too far from where I live. I wanted to to capture the moodiness and drama of the area so the work was executed very spontaneously using large palette knives and brushes.

£650

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Blue Rocks, High Peak

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Convergence 2

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MANUELA SÁENZ - miniature

By kate milsom

Oil & Mixed Media on Gesso Board

h: 15 w: 15 d: 2 (cms).

Manuela was an Ecuadorian revolutionary heroine of South America who supported the revolutionary cause by gathering information, distributing leaflets and protesting for women's rights. Manuela received the Order of the Sun ("Caballeresa del Sol" or 'Dame of the Sun'), honoring her services in the revolution.

£380

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MANUELA SÁENZ - miniature

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Hogweed and Apples

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HIJAB IMTIAZ ALI - miniature

By kate milsom

Oil & Mixed Media on Gesso Board

h: 15 w: 15 d: 2 (cms).

Hijab Imtiaz Ali (1908–1999) was a Pakistani writer, editor and diarist. She is a well known name in Urdu literature and a pioneer of romanticism in Urdu. Hijab obtained her pilot's license in 1936. In 1939, The International Women’s News reported that Hijab had become the first Muslim woman in the British Empire to obtain an ‘A’ license as an air pilot.

£380

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HIJAB IMTIAZ ALI - miniature

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Hot pink Cyclamen

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Black Jug

By luisa holden SWA

Acrylic on card

h: 31 w: 31 d: 1 (cms).

An abstracted, textural impression of a black jug of pink and red poppies and red apples. I worked wet in wet through much of the painting, mixing paint on the surface of the painting itself to create rich and interesting passages of colour.

£520

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Black Jug

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Silk with Red Peppers

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Silk with Oranges

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Pentle Bay Tresco Isles of Scilly

By tessa spanton SWA

Acrylic on canvas

h: 50 w: 50 d: 4 (cms).

I have done many plein air sketches and paintings on Scilly. On a sunny day I find the the blues and greens of the water are stunning against the white sand.

£695

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Pentle Bay Tresco Isles of Scilly

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She could not rest

By olivia dunn

Soft pastel and pastel pencil

h: 31 w: 28 d: 1 (cms).

£1695.00

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She could not rest

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Veiled Face

By miranda fontaine

Cullograph

h: 46 w: 38 d: 1 (cms).

This is a viscosity print sing two collograph plates

£400

£300 (Unframed)

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Veiled Face

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Sisters in Arms

By arabella brooke

Bronze

h: 60 w: 40 d: 18 (cms).

£5800

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Sisters in Arms

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Listening to the Trees

By arabella brooke

Bronze on wood

h: 45 w: 15 d: 12 (cms).

£2200

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Listening to the Trees

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Family Group

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The Proposal

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Memories of You

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Jasper cat among the Tulips

By patricia clements

Pastel

h: 50 w: 70 d: 1 (cms).

Jasper was a neighbours cat but he liked to sit among my still life artwork and was a very good model

£1200.00

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Jasper cat among the Tulips

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AN …ARD DAY AT THE R.A.

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RETURNING HOME

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White Lily Kimono on Bamboo table

By patricia clements

Pastel

h: 74 w: 54 d: 1 (cms).

White Lily, and Kimono on a bamboo table a Chinese influenced artwork

£1200.00

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White Lily Kimono on Bamboo table

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SIBLINGS IN BLACK HATS

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Letting go

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Anosmia, self portrait

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