Society of Women Artists : MEMBERS - 165th Annual Open Exhibition

Creation

By christine roychowdhury

Oil on canvas gold leaf

h: 120 w: 75 d: 2 (cms).

I started this piece during the SWA demonstration day. The portrait of Tamsin or VeraVice her alter ego As a hard rock musician music and rock are as integral to her life as her heart beat. The act of creation escape from our world an act of magic and transfiguration. The four elements of earth wind Fire and Water conjured.

£6000

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Creation

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Baroness Masham

By christine roychowdhury

Oil on canvas gold leaf

h: 120 w: 85 d: 2 (cms).

Dame Masham was the longest serving woman member of the House of Lords. When she fell from her horse at the age of 21 her whole life changed and she was confined to her wheelchair. Instead of giving up she dedicated her life to improving life for the disabled working with the Red Cross and founding the society for spinal injuries. She died last year after sitting for this portrait. I admired her resilience in the face of difficulties. She won 10 Olympic medals.

£6000

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Baroness Masham

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Protest

By christine roychowdhury

Oil on canvas

h: 150 w: 200 d: 2 (cms).

This is a diptych. The right to protest is an important right dating back to the Magda Carter and peasants revolt in 1381 and beyond that Peterloo 1819 . Women fought for over a hundred years to get the right to vote forming the women’s Social and Political Union in 1903 and the women’s Liberation Movement in the 1970’s protesting the indignity of not having equal representation and equality of opportunity and equal pay. The rights of individuals within society the right of freedom.The right to protest even if you don’t agree is an inalienable right and a way to bring about change and to challenge the status quo’s stopping and questioning tyranny and holding governments to account.

£12000

£12000 (Unframed)

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Protest

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Harlequin Moon Jar

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Shards Moon Jar

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River Kishorn, Strathcarron II

By caroline mackintosh

Acrylic, oil sticks and oil and cold wax

h: 70 w: 113 d: 4 (cms).

I began with an application of pink acrylic, giving future applications of colour a certain glow and allowing me to scratch back to reveal elements of pink as the painting progresses, unifying the work and giving flashes of warmth and interest. I then painted the mountain range with Paynes grey and dark purple acrylic, working thinly to draw the eye into the distance and create a contrast with the thicker application of paint in the foreground. Next I laid down the main lines and shapes of the foreground and river with oil and cold wax, working thickly and creating areas of texture. Then worked loosely with oil pigment bars, focussing on free mark-making, in particular for the rocky outcrops. I then applied a limited palette of oil and cold wax, in masked off bands and geometric shapes, giving the painting structure and a definite form, but endeavouring to retain some of those earlier loose marks. I then blocked in the sky and pale blue/grey oil and cold wax.

£2900

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River Kishorn, Strathcarron II

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Lemons in a jar.

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Lemons and Plums

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Two Lemons in a dish

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Three Lemons in a Dish

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Different Ways of Seeing

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Joined by Monday Morning

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Attitude

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Godsend - Apple of Discord (Shapes of Temptation Series)

By julie cross RI

Fluid Acrylic with Oil on Panel

h: 30 w: 40 d: 1 (cms).

This series reclaims the age-old image of women and apples, transforming a symbol of temptation and transgression into one of knowledge, choice and defiance. Realism and abstraction interwine to explore myth, agency and transformation. Here, the myth of Eris is reimagined, and the golden apple becomes an abstract catalyst rather than a prize. Rival goddesses are reduced to mere dots and are no longer competing, hence refusing the logic of comparison altogether. In contrast, Eris is fully realised - complex, textured and embodied. Discord is framed not as destruction, but as a necessary disturbance that exposes systems of comparison, beauty, value and legitimacy.

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Godsend - Apple of Discord (Shapes of Temptation Series)

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Spirit of Mabula

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African Painted Dog at Manna Pools 2

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Crawshays Zebra in Luangwa

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Lynx

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Rising Dawn

By Laura Howarth SWA SWA

oil and cold wax medium on board

h: 51 w: 51 d: 2 (cms).

Sea and sky with glowing evening light

£895.00

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Rising Dawn

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Harbour Lights

By Laura Howarth SWA SWA

oil and cold wax medium on board

h: 30 w: 30 d: 1 (cms).

Patches of brightness against the dark sea and sky

£595

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Harbour Lights

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Margaritas

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Travelling Pamukkale

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Canto 1

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Edie it's winter

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Waiting

By Laura Howarth SWA SWA

oil and cold wax medium

h: 29 w: 22 d: 2 (cms).

Space, time and glorious change

£495.00

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Waiting

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Bound 3

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Last Leg

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Bound 2

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From 's-Hertogenbosch

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Orizuru Shou

By Rosalind Robinson RWA SWA

mixed media on polymer gravure

h: 45 w: 38 d: 1 (cms).

prints in this edition are hand finished using watercolour, pastel and metallics.

£570

£375 (Unframed)

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Orizuru Shou

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The Storyteller

By amy heath BA(Hons) MA SWA

oil on linen

h: 100 w: 70 d: 3 (cms).

'The Storyteller' figure holds her story in her body, in a tree, in a toy theatre, in a book. It is of being held captive in a jar and imprisoned for all to witness. Underneath is her inner child. She holds her story, she can finally tell it because there are angels around her holding her in place. I based it around the words by Carl Jung- 'No tree, it is said, can grow to heaven unless its roots reach down to hell.'

£3000

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The Storyteller

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Tinker Tailor

By amy heath BA(Hons) MA SWA

oil on linen

h: 100 w: 70 d: 3 (cms).

'Tinker Tailor'- the title comes from the nursery rhyme; I am very influenced by fairy tales, nursery rhymes, children's stories. I wanted to make the figure a character- a tailor creating her own bespoke gown, like an autobiographical dress. The dress says 'raw like sushi' partly to describe herself to others, but also taken from the title of Neneh Cherry's 1989 album. The tailor is sewing and creating her own version of femininity, of magic and transformation. Her child pokes her head out at the bottom, alongside a sleeping cat.

£3000

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Tinker Tailor

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Little Me Healing Big Me

By amy heath BA(Hons) MA SWA

oil on canvas

h: 61 w: 61 d: 2 (cms).

This painting is of an inner world- a secret garden where a doll has found a broken piece of a woman- her hips and legs- and is trying to unpick her threads, to free her, to heal that part of the woman. The garden is full of colour, bulbous, free- and the girl doll is a tiny healer.

£1800

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Little Me Healing Big Me

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After

By amy heath BA(Hons) MA SWA

oil on linen

h: 40 w: 20 d: 5 (cms).

'After' is a character study of sorts. The figure has been a warrior, has battled through a hellish storm and this is her face, her neck, her demeanour. My intention was to paint what was going on inside of her soul on her face. She is a spiritual being having a human experience.

£800

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After

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Fishing in Calm Waters

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A Shared Inheritance - Full Circle (Shapes of Temptation Series)

By julie cross RI

Fluid Acrylic with Oil on Wood Panel

h: 50 w: 70 d: 1 (cms).

This series reclaims the image of women and apples, transforming an age-old symbol of temptation and transgression into one of knowledge, choice and defiance. Realism and abstraction intertwine to explore myth, agency and transformation. This work positions the apple as symbolic legacy, suggesting continuity of the cultural narratives of temptation and beauty. This isn't about one Eve - it's about all of us. The circles serve as both warning sign and halo, as the figures occupy the space between icon and individual, reclaiming the apple symbol and holding it without apology.

£900

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A Shared Inheritance - Full Circle (Shapes of Temptation Series)

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McSorley's Ale House

By jane morgan

Poultry, & game bone, ash, glazed.

h: 27 w: 27 d: 5 (cms).

This work memorialises a group of soldiers who feasted on poultry before leaving for the trenches of The Great War and the Somme. Each wished that his life would be spared. Not all those brave men's wishes came true. This work is a testament to the 64 men from that company whose young lives were lost. This is an interactive work, created by the artist. By making slow rotations of the frame, the entangled wishbones come to rest in a unique form. Thereby creating a new and evolving work of symbolism.

£2900

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McSorley's Ale House

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Marvellous Margaret- A girl just wants to have fun - Part 1 of Triptych

By Trish Claridge SWA

Egg tempera on Gessoed board

h: 41 w: 31 d: 1 (cms).

A feel good painting, - part 1 of a triptych - of a kind, funny, characterful, mature lady, portraying her great sense of humour, mischief and kindness to all who know her.

£2500

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Marvellous Margaret- A girl just wants to have fun - Part 1 of Triptych

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Marvellous Margaret - A girl just wants to have fun, Part 2 of 3

By Trish Claridge SWA

Egg tempera on gessoed board

h: 41 w: 31 d: 1 (cms).

A feel good painting - part 2 of a triptych, intended to show the sense of fun and humour, quirkiness and character of a kind, mischievous and generous mature lady, who's liked and admired by all who know her.

£2500

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Marvellous Margaret - A girl just wants to have fun, Part 2 of 3

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Marvellous Margaret - A girl just wants to have fun - Part 3 of triptych

By Trish Claridge SWA

Egg tempera on gessoed board

h: 41 w: 31 d: 1 (cms).

A feel good painting intended to portray a quirky, kind, generous, mischievous and industrious, mature lady.

£2500

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Marvellous Margaret - A girl just wants to have fun - Part 3 of triptych

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New Forest Stream

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Winter Glow

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The sink with daffodils

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The laundry

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The writing desk

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I'm Here

By suzanne gibbs

Oil on canvas

h: 76 w: 61 d: 4 (cms).

This is my latest and possibly last portrait of my Mum, as she battles with dementia. She remains herself, and I am once again by her side. Her faint smile reflects her humour and resilience, whilst the expression in her eyes conveys the sadness of her gradual decline.

£1280

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I'm Here

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Moving Forward

By suzanne gibbs

Oil on canvas

h: 76 w: 61 d: 4 (cms).

This self-portrait is a response to dealing with past trauma and challenges. From the darkness, the light brings hope of transformation. With healing, a brighter outlook, cautiously, I am ready to embrace the future.

£1280

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Moving Forward

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On Reflection

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Reflected beauty

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Make Em Laugh

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Pengan

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Expresso or Cocktail

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Washing Day

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Retreat

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The Gaze Behind the Flower

By mary lace SWA

Oil on linen

h: 46 w: 31 d: 2 (cms).

My very large book on Vermeer does not sit neatly on my bookshelf. A narrow strip of the cover illustration is always tantalizingly visible. I decided to use the strip as part of the background to a still life group. Over the weeks the strip became wider and the flower became less full as it decayed; consequently, more and more of the girl’s face was revealed. The timeless gaze contrasts with the passing and decay of the natural world but links with the continuity of the new life expressed in the rose hip.

£999

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The Gaze Behind the Flower

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Bold as Brass

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A Bag of Hot Air

By jane morgan

Bronze, painted in oils, lacquered.

h: 23 w: 18 d: 15 (cms).

This works is a facsimile representation of a brown paper bag tied at the top with string containing nothing but air. This statement piece considers the age old adage: 'A Bag of Hot Air', in a society where, truth and accuracy are increasingly blurred. Evidentially, we are no longer able to rely upon visual presentation as factual representation.

£12990

£12990 (Unframed)

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A Bag of Hot Air

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Long day long

By svetlana kornilova

oil, linen canvas

h: 130 w: 100 d: 3 (cms).

I am often asked what is this painting about. People watch it, and it strikes a feeling, that there is something more inside it. I think it is because is is a very familiar plot. We all were at this edge, when the childhood is almost over and it takes the breath away what a big world opens ahead. To smile, to play, to grow To cry, watch the river flow To laugh, see the days go by To dream, to believe, to fly

£6000

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Long day long

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Secret Garden

By svetlana kornilova

oil, linen canvas

h: 110 w: 50 d: 2 (cms).

I think in this painting how the children are growing up. How they investigate the world around, How they find tiny doors adults usually do not notice. How they escape from parents’ supervision. Are the roads they find interesting? Are they dangerous? Can we protect them?

£6000

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Secret Garden

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Fragments

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Forest Pool

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Spring Meadows

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Three Trombones

By sera knight SWA

Mixed Media with Acrylics and Collage

h: 54 w: 36 d: 1 (cms).

My art work is about creating a pleasant visual experience and reflects my love of classical music.

£950

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Three Trombones

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Believe in Extraordinary

By victoria perloff

Acrylic and Oil paint

h: 100 w: 70 d: 3 (cms).

£1100

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Believe in Extraordinary

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Thank you!

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What Remains

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Cello Vibes

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Strings

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Fragmented Harmony

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Opera in Fragments

By huihua bi

Oil on Canvas

h: 60 w: 50 d: 4 (cms).

This painting portrays a traditionally dressed opera performer whose form breaks into intersecting blue and pink fragments. The figure becomes an abstracted presence—less a portrait and more an identity shaped by inherited roles, stylised costume, and cultural expectation. By rendering her as layered visual codes, the work reflects how women in traditional drama were both iconic and constrained, celebrated onstage yet obscured beneath the roles they were scripted to inhabit.

£1350

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Opera in Fragments

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Weigh Of Inheritance

By huihua bi

Oil on Canvas

h: 60 w: 50 d: 4 (cms).

Heavy textures and fractured forms accumulate around the figure’s head, evoking the burden of cultural and historical inheritance. The painting reflects how tradition, memory, and collective identity press upon the individual, transforming heritage into psychological weight.

£1350

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Weigh Of Inheritance

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Harmonies of a Quiet Ensemble

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Winter trees, le jardin de Rodin, Paris

By nicola stratton tyler SWA, MA (Hons)

oil on panel

h: 25 w: 20 d: 1 (cms).

painted plein air in Paris this winter. Very cold ! but magical. Finished in the studio.

£495

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Winter trees, le jardin de Rodin, Paris

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Winter sun, le jardin de Rodin, Paris

By nicola stratton tyler SWA, MA (Hons)

oil on panel

h: 25 w: 20 d: 1 (cms).

As with the previous painting, this was painted plein air in Paris between Christmas and New year and then finished in the studio at home. The tree shapes and the shape of the light between them became quite abstracted.

£495

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Winter sun, le jardin de Rodin, Paris

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Primroses in stoneware

By nicola stratton tyler SWA, MA (Hons)

oil on panel

h: 25 w: 20 d: 1 (cms).

painted from life. The first primroses of the year came early in Cornwall. I enjoyed the shadow shapes

£550

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Primroses in stoneware

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Snowdrops and shadows

By nicola stratton tyler SWA, MA (Hons)

oil on panel

h: 25 w: 20 d: 1 (cms).

This was painted from life. Again I was interested in the thrown shadow.

£550

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Snowdrops and shadows

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Woodland Walk - Derbyshire Dales

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Reflections - Lumsdale Pond - Derbyshire Dales

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Fun at the Piano

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Holbein Suite

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Alfie

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Every Woman

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The Artists Studio

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Botanical Symphony

By Helen A Taylor MA. SGFA. ASWA

Linocut with watercolour

h: 79 w: 57 d: 1 (cms).

Inspired by the Stables musical Theatre & Gallery building in Milton Keynes, where I had a solo exhibition in 2025. I felt that the foyer building is reminiscent of a botanical glasshouse, I placed the flowers within the architecture and to connect with the musical venue I chose species which have names with musical references, and because they resemble musical instruments - Fiddle head ferns, Trumpet vines, Canterbury bells, Musical note plant, Angels trumpets, Tiarella spring symphony and Philodendron jungle Boogie Woogie.

£375

£300 (Unframed)

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Botanical Symphony

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Harbour Heights

By jean noble RI

Acrylic on paper

h: 27 w: 35 d: 1 (cms).

I love the environs of the Thames and take many of my shapes from this area of London, the boats and moorings can be seen within the abstracts I create from sketches done on site and worked up in the studio

£950

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Harbour Heights

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Heading For Land

By jean noble RI

Acrylic on paper

h: 34 w: 25 d: 1 (cms).

another interpretation of my walks along the Thames, using the shapes that come together whilst sketching along the banks and then interpreting at home in the studio

£950

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Heading For Land

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Close to Shore

By jean noble RI

Acrylic on paper

h: 38 w: 51 d: 1 (cms).

an abstract interpretation of the shapes i see as I walk around the Thames area of London. there is a suggestion of the gangways and the moored boat ready for its voyage up river.

£1480

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Close to Shore

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Trikeri I

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Trikeri III

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Aiguille du Midi

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Saturday Night

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Nutella

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Heinz Tomato Ketchup

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Somewhere inbetween

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Atmospherics

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Long Walk to Where the Road Meets the Sea

By Asya Dudko SWA BA(Hons)

Paperclay

h: 44 w: 30 d: 20 (cms).

The sculpture is made from air drying clay sculpted over a wire armature. On a long journey, I pull my boat on wheels: a vessel built to survive deep waters, shifting sands, and steep hills.

£2200

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Long Walk to Where the Road Meets the Sea

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The Quiet Gravity of Decisions

By Asya Dudko SWA BA(Hons)

Paperclay

h: 50 w: 20 d: 18 (cms).

The sculpture is made from air drying clay sculpted over a wire armature. I am balancing a scale in my hand. On one side rests a House, on the other a Boat. Which path do I follow: the steady ground of home or the open freedom of the unknown?

£2200

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The Quiet Gravity of Decisions

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The One Who Holds the Roof

By Asya Dudko SWA BA(Hons)

Paperclay

h: 39 w: 13 d: 13 (cms).

The sculpture is made from air drying clay. A roof is only safe when someone loves those who live beneath it.

£2200

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The One Who Holds the Roof

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Mist descends; November 11:53

By janette summerfield RBSA SWA

Soft Pastel

h: 28 w: 28 d: 1 (cms).

This painting depicts part of the deer park in the grounds of Raby Castle, Staindrop, Darlington, on a cold and misty morning in November. It is drawn using Unison soft pastels onto a light coloured Pastelmat. I wanted to capture the rich colours of the trees standing out from the mist that was fast descending onto the park. Pastel is a very versatile medium; it allows for experimenting with different mark making, exploring ways to depict the structural and tactile qualities of grass and foliage, creating and building up textures. Blocks of colour were randomly applied, using the pastel on its side. Layers are built up by either using the same colour, or a range of colours. Sometimes I like to create a crisp, clear line by using masking tape and applying and blending pastel up to the edge of that tape. Carefully removing the tape reveals a beautifully crisp line. I applied this technique to several areas of the painting.

£625

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Mist descends; November 11:53

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Before the weather changed; September 16:20

By janette summerfield RBSA SWA

Soft Pastel

h: 28 w: 28 d: 1 (cms).

This painting depicts a part of a scene on private land in Fir Tree, a village in County Durham. It is drawn using Unison soft pastels onto coloured Pastelmat. I’m drawn to scenes that have colour, texture and pattern in them, I like to explore ways to depict these qualities in my work and this landscape gave me the opportunity to do just that. I was struck by the strong horizontal lines created by the trees, and the undulation of the fields, both contrasting dramatically with the change of colour in the sky, which I exaggerated by heightening the colours used, especially the trees. My preferred medium of pastel allowed me to experiment with different mark making, allowing me to build up and create textures. I applied horizontal sweeps of colour to the foreground, achieved by using the pastel on its side, to create a sense of movement. Using the same technique I then layered another colour on top to add more depth. I used masking tape to create some sharp lines.

£625

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Before the weather changed; September 16:20

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